Negative Aesthetics and Political Collapse in Eastern European and Balkan Cinema

Zoran Samardzija (Columbia College Chicago, USA)

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English

Routledge
18 July 2025

Films, movies & cinema; Regional studies; Philosophy: aesthetics; Popular culture; Media studies

Series: Routledge Advances in Film Studies

Negative Aesthetics and Political Collapse in Eastern European and Balkan Cinema examines the theme of political collapse in select contemporary Eastern European and Balkan art cinema and documentaries from the late eighties to the present.

Engaging with debates in Marxism and contemporary film theory about political aesthetics, the book centers around the question of whether we can imagine possible futures through negative aesthetics, which are skeptical of cinema’s ability to reproduce reality in a comprehensive and unmediated manner. In particular, it analyzes examples of ambiguous art cinema and related hybrid documentary modes in order to invite spectators to rethink how we understand and represent the unique experiences of living through the collapse of authoritarian communism and the transition to neoliberal capitalism. Negative Aesthetics and Political Collapse ultimately argues that the skepticism about political change and representing history found in these films forms an original mode of utopian thinking. In other words, their negativity about their own artistic autonomy is the very thing that allows them to hint at possible futures that are unpresentable because they exist outside of the frameworks of contemporary geopolitics and our dominant understandings of cinematic aesthetics.

Redefining how we understand the intersections between geopolitics, art cinema aesthetics, and film theory, the book presents a unique synthesis of film and political theory that attempts a new understanding of cinematic aesthetics. As such, it will interest scholars of film theory, global art cinema aesthetics, regional studies of Eastern Europe and the Balkans, and political science.

By: Zoran Samardzija (Columbia College Chicago USA)
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 460g
ISBN: 9781032819952
ISBN 10: 1032819952
Series: Routledge Advances in Film Studies
Pages: 154
Publication Date: 18 July 2025
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Hardback
Publisher's Status: Active

Zoran Samardzija is a Professor in the School of Film and Television at Columbia College Chicago, USA. He primarily teaches courses in cinema and television studies. He has published several articles on European and American cinemas. His first book, Post‑Communist Malaise: Cinematic Responses to European Integration, was published in 2020.