Needlework, Affect and Social Transformation: The Everyday Textures of Feminist Activism

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Katja May (Independent researcher)

Needlework, Affect and Social Transformation

The Everyday Textures of Feminist Activism

Katja May (Independent researcher)

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English

Bloomsbury Visual Arts
29 May 2025

Fashion & textiles: design; Feminism & feminist theory

Needlework, Affect and Social Transformation offers an original framework for moving beyond binary discourses that class practices of needlework as either feminist or reactionary. Using transnational, contemporary case studies – such as the Social Justice Sewing Academy, fictionalised Bangladeshi garment workers

as well as the famous Pussyhat Project – Katja May suggests a new approach to the interpretation of textile crafts as an affective social practice, and draws on under-represented issues of race.

May connects her study to broader material and social conditions of inequality, allowing for a nuanced and sensitive understanding of the role of needlework in feminist political activism. This broader look at how textile crafts function in the realms of politics and activism conceptualizes quilting, dressmaking, embroidery and knitting as routine activities invested with emotions and entangled with material and social conditions as well as political potential.

By: Katja May (Independent researcher)
Imprint: Bloomsbury Visual Arts
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm, Spine: 25mm
Weight: 454g
ISBN: 9781350283626
ISBN 10: 1350283622
Pages: 224
Publication Date: 29 May 2025
Audience: Professional and scholarly , College/higher education , Undergraduate , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Katja May is an independent researcher, quilter and feminist activist. She has a PhD in English and Cultural Studies from the University of Kent and she has facilitated multiple feminist craftivism events. Her research interests include textile crafts, feminist activism, affect, social transformation and the phenomenology of making.