Navigation Beyond Vision

E-Flux Journal

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English

Sternberg Press
21 November 2023

Films, movies & cinema; Television

Series: Sternberg Press / e-flux journal

"Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude.

Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage--editing distinct sections of film into a continuous sequence--as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's ""ruling class of images"" call for new tools of analysis, prompting him to ask- How does the shift from montage to navigation alter the way images--and art--operate as models of political action and modes of political intervention?

Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019.

Contributors James Bridle, Kodwo Eshun, Jennifer Gabrys, Tom Holert, Ramon Amaro and Murad Khan, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Mariana Silva, Nikolay Smirnov, Oraib Toukan, Brian Kuan Wood

How the shift from montage to navigation alters the way images--and art--operate as models of political action and modes of political intervention.

Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude.

Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage--editing distinct sections of film into a continuous sequence--as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's ""ruling class of images"" call for new tools of analysis, prompting him to ask- How does the shift from montage to navigation alter the way images--and art--operate as models of political action and modes of political intervention?

Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019.

Contributors James Bridle, Kodwo Eshun, Jennifer Gabrys, Tom Holert, Ramon Amaro and Murad Khan, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Mariana Silva, Nikolay Smirnov, Oraib Toukan, Brian Kuan Wood"

Edited by: E-Flux Journal
Imprint: Sternberg Press
Country of Publication: United States
Dimensions: Height: 179mm, Width: 109mm, Spine: 24mm
Weight: 264g
ISBN: 9783956795657
ISBN 10: 3956795652
Series: Sternberg Press / e-flux journal
Pages: 296
Publication Date: 21 November 2023
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

e-flux is a publishing platform and archive, artist project, curatorial platform, and enterprise which was founded in 1998.