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Natasha's Dance

A Cultural History of Russia

Orlando Figes

$29.99

Paperback

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Turkish
Penguin
01 November 2003
A PEOPLE'S TRAGEDY won pretty much every prize for which it was eligible

This tremendously attractive, ambitious, dizzying book is in every way a worthy successor to Figes' bestselling A PEOPLE'S TRAGEDY.

The whole panorama of Russia's mighty culture is conjured up in a way that is fresh, intimate and immediate.

Whether talking about music or novels, buildings or paintings, Figes' enthusiasm and literary brilliance sweeps the reader along through a series of great set-piece chapters.

By:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 33mm
Weight:   545g
ISBN:   9780140297966
ISBN 10:   0140297960
Pages:   768
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Language:   Turkish
Format:   Paperback
Publisher's Status:   Active

Orlando Figes is Professor of History at Birkbeck College, University of London. His last book, A PEOPLE'S TRAGEDY (Cape 1996), won the NCR Book Award, the Wolfson History Prize, the Longman/History Today Book of the Year Award and the WH Smith Literary Award. He lives in Cambridge.

Reviews for Natasha's Dance: A Cultural History of Russia

In this huge volume Figes tries to answer complex questions about Russian identity and culture - what makes the country and the people tick - and he does this brilliantly with insight and humour. Russia has always been an enigma to the Western world. We probably know more about its political history than about its people, and thankfully the book does not get stuck in the political mire. Far from it; Figes entertains the reader without watering down the history, and draws us in to the heartbeat of the Russian people. One of the chapters is titled 'In search of the Russian soul' and deals with the almost morbid veneration of suffering, the great desire for martyrdom, which seems to be a core element of the national character; and how Russian composers, artists and writers sought to express this trait and question its origins. He writes about the lives of the peasants, their rituals, their weddings, how they cooked, and what they ate. 'Moscow was a city of gourmands', Figes tells us as he writes of the excesses of the nobility, where princes vied with one another for the best chef and the best hospitality, and drank themselves silly on vodka. His portrait is intimate, eavesdropping into the hearts and minds of the populace, revealing their suffering and their humour. The writing is delightfully accessible and packed full of facts, yet its tone is light. He studies Tchaikovsky, Chagall, Stravinsky, religious icons and daily customs, and Russia's pagan roots. There is a fascinating chapter entitled 'Descendants of Genghiz Khan' and one about the artist Kandinsky's personal exploration of the Komi region, as he studied the roots of Russian folk culture. Then there are the brutalising effects of revolt and revolution, the rise of Lenin and Stalin, and how individual expression was crushed in the 20th century by communism. As an introduction to Russian culture there is nothing better than this, and there is plenty of meat for Russophiles everywhere. Figes is an internationally renowned historian and here he makes the history of this strange and melancholy country available to all. (Kirkus UK)


  • Short-listed for BBC Four Samuel Johnson Prize for Non-Fiction 2003
  • Short-listed for Samuel Johnson Prize for Non-Fiction 2003
  • Shortlisted for BBC Four Samuel Johnson Prize for Non-Fiction 2003.
  • Shortlisted for Samuel Johnson Prize 2003.
  • Shortlisted for Samuel Johnson Prize for Non-Fiction 2003.

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