Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
'Gutsy and compulsively readable...One of the more nuanced portraits of feminine friendship in recent memory...Ferrante wisely balances her memoir-like emotional authenticity with a wry sociological understanding of a society on the verge of dramatic change.' Vogue (US) 'Everyone should read anything with [Elena Ferrante's] name on it.' Boston Globe 'Beautifully translated by Ann Goldstein...[Ferrante] writes with a ferocious, intimate urgency.' San Francisco Chronicle 'Her novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader...[A] beautiful and delicate tale of confluence and reversal.' -- James Wood New Yorker 'Cinematic in the density of its detail.' Times Literary Supplement 'Elena Ferrante will blow you away.' Alice Sebold 'Ferrante's fictions are fierce, unsentimental glimpses at the way a woman is constantly under threat, her identity submerged in marriage, eclipsed by motherhood, mythologised by desire. Imagine if Jane Austen got angry and you'll have some idea of how explosive these works are...In My Brilliant Friend, the reclusive Ferrante does something hard but true. It goes back to the before and by looking at it clearly, with humour and warmth and rage, loves it.' Weekend Australian 'A superbly perceptive, nuanced, profound portrait of friendship between two young women in Naples in the 1950s...Rich in the detail of everyday life in a poor but proud neighbourhood, unsentimental, intimate, this is a truly memorable novel.' -- Booktopia Buzz 'Ferrante's prose is deeply passionate and detailed, crafting a story of a relationship in which suffering and joy go hand-in-hand...We may never want to be 16 again, but to go back, just for a few hours, is breathtaking. At times, you will be forced to put the book down, close your eyes, and feel the past rushing in.' Time Out Melbourne 'Ferrante bewitches with her tiny, intricately drawn world...My Brilliant Friend journeys fearlessly into some of that murkier psychological territory, where questions of individual identity are inextricable from circumstance and the ever-changing identities of others.' Melbourne Review 'The first two Neapolitan novels [My Brilliant Friend and The Story of a New Name]...move far from contrivance, logic or respectability to ask uncomfortable questions about how we live, how we love, how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. In all their beauty, their ugliness, their devotion and deceit, these girls enchant and repulse, like life, like our very selves.' Sydney Morning Herald