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My Affair with Art House Cinema

Essays and Reviews

Phillip Lopate

$198.95

Hardback

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English
Columbia University Press
02 July 2024
Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling-and sometimes disappointing or frustrating-through his keen eyes.

In an essayist's sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu's Late Spring, David Lynch's Mulholland Drive, and Andrei Tarkovsky's Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman's rigorous honesty, Ingmar Bergman's intimacy, Abbas Kiarostami's playfulness, Kenji Mizoguchi's visual style, and Frederick Wiseman's vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate's passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture.
By:  
Imprint:   Columbia University Press
Country of Publication:   United States
Dimensions:   Height: 235mm,  Width: 156mm, 
ISBN:   9780231216401
ISBN 10:   0231216408
Pages:   416
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Introduction Curtain Raisers 1. On Changing One’s Mind About a Movie 2. How I Look at Movies Feature Films 3. Maren Ade: The Forest for the Trees 4. Chantal Akerman: No Home Movie 5. Antonioni’s Le Amiche: Another Look 6. Ingmar Bergman: Scenes from a Marriage and Saraband 7. Raymond Bernard: Wooden Crosses and Les Misérables 8. Robert Bresson: Mouchette 9. Lino Broca: Insiang 10. John Cassavetes: The Killing of a Chinese Bookie 11. Claude Chabrol: The Swindle 12. George Clooney: Good Night, and Good Luck 13. David Cronenberg: eXistenZ 14. Jean-Pierre and Luc Dardenne 15. Arnaud Desplechin: A Christmas Tale 16. Carl Dreyer: Gertrud 17. Lena Dunham: Tiny Furniture 18. Paul Fejos: Lonesome 19. Emannuel Finkiel: Voyages 20. John Ford: The Sun Shines Bright 21. Jean-Luc Godard: Breathless and Band of Outsiders 22. Hong Sang-soo 23. Hou Hsiao-hsien 24. Otar Iosseliani 25. Elia Kazan 26. Abbas Kiarostami: Through the Olive Trees and Taste of Cherry 27. Hirokazu Kore-eda 28. Akira Kurosawa: Rashomon 29. Alberto Lattuada: Mafioso 30. Richard Linklater: Before Midnight 31. Harold Lloyd: Speedy 32. Ernst Lubitsch 33. Sidney Lumet: Long Day’s Journey Into Night 34. David Lynch: Mulholland Drive 35. Dušan Makavejev: The Wolf and the Teddy Bear 36. Kenji Mizoguchi: Ugetsu and Utamaro and His Five Women 37. Mikio Naruse: When a Woman Ascends the Stairs 38. Yasujirō Ozu: Late Spring 39. Christian Petzold: Barbara 40. Maurice Pialat: Naked Childhood, Van Gogh, and Le Garçu 41. Alain Resnais: Middle and Late Resnais 42. Dino Risi: Il Sorpasso 43. Éric Rohmer: La Collectionneuse, The Marquise of O, and Le Rayon Vert 44. Raúl Ruiz: Time Regained 45. Alexander Sokurov 46. Paolo Sorrentino: The Great Beauty 47. Jean-Marie Straub Not Reconciled 48. Andrei Tarkovsky: Solaris 49. François Truffaut Intermission: Documentaries and Essay Films 50. Frederick Wiseman: Composing an American Epic 51. Alain Resnais: Night and Fog 52. Jean Rouch and Edgar Morin: Chronicle of a Summer 53. Alan Berliner 54. Robert Gardner: Dead Birds 55. Sam Green and Bill Spiegel: The Weather Underground 56. Jafar Panahi: This Is Not a Film 57. Documentary Splendors and Errors 58. Ross McElwee: Bright Leaves 59. Mark Rappaport’s Essay Films 60. Marcel Ophuls 61. City Essay Films Film Critics 62. The Making of Manny Farber 63. Roger Ebert: Life Itself 64. Stanley Kauffmann 65. Pauline Kael: A Biography 66. Stanley Cavell 67. James Harvey 68. Jonathan Rosenbaum 69. Jonathan Baumbach Exit Music: A Few Last Thoughts 70. Repertory Movie Theaters, Ravishing Revivals Conclusion: The Faith of a Cineaste Notes

Phillip Lopate is the author of many acclaimed books, including the essay collections Bachelorhood, Against Joie de Vivre, and Portrait of My Body and the novels The Rug Merchant and Confessions of Summer. He is the editor of several anthologies of essays. Lopate taught for many years in the Writing Program at Columbia University School of the Arts.

Reviews for My Affair with Art House Cinema: Essays and Reviews

[A] splendid collection . . . The essays breeze by, enlivened by Lopate’s punchy prose and palpable love of cinema. Cinephiles will cherish this. * Publishers Weekly * Erudite and comprehensible, this invitation to cinematic culture, just like encounters with many films, rewards repeat customers. * Library Journal * Phillip Lopate is the model of the eloquent and incisive critic. His expertise in the personal essay gives his film criticism the depth and precision of finely crafted literature. He brings to the task a keen intelligence, broad knowledge, and a sympathetic warmth rare on the contemporary scene. He never promotes himself at the expense of the film at hand, but his willingness to admit his tastes (and to change his mind) shows a true humanistic sensibility at work. Every serious film admirer will value this book as an ideal guide to the treasures of arthouse cinema. -- David Bordwell, author of <i>Perplexing Plots: Popular Storytelling and the Poetics of Murder</i> In this superb collection, Phillip Lopate goes where passion has taken him, which luckily for us is unbounded by the requirements and format of any single publication. My Affair with Art House Cinema combines some of the idiosyncratic notes of the personal essay with an easy command of film history, enhanced by Lopate's typically astute analysis of the way visual and compositional choices inform directorial sensibility. A treasure trove of a book which invites us to rethink the masterpieces of art house cinema and make acquaintance with unknown gems. -- Molly Haskell, author of <i>Steven Spielberg: A Life in Films</i> Phillip Lopate's wonderfully written first-person film criticism is warm and affectionate, as well as smart and knowledgeable. Lopate is a scholar and a gentleman—even if, a true cinephile, he does like to kiss and tell. -- J. Hoberman, author of <i>Film After Film: Or, What Became of 21st Century Cinema?</i> Phillip Lopate is a convivial movie date, and his film essays have the poetry—and punch—of legendary sports reporters. For him, though, cinephilia is less a sport than a faith. Lopate's My Affair with Art House Cinema spans the last quarter-century of work by the likes of Chantal Akerman and Ingmar Bergman to Francois Truffaut and Frederick Wiseman. As he writes about the rhythms, themes, and framing of the movies he loves, his passion is contagious. -- Carrie Rickey, author of <i>A Complicated Passion: The Life and Work of Agnès Varda</i> His criticism is, dare one say it, adult . . . Lopate writes with an inviting brio, shaping complicated suppositions with a fluidity that doesn’t call attention to itself. -- Mario Naves * New York Sun * Lopate is one of the best film critics we have, as well as being a prolific author and personal essayist (his forte) who writes widely about topics other than film. Despite his encyclopedic film knowledge, he brings the freshness and curiosity of an amateur and the passion of a lover to his writing about movies. * DavidSchwartz.com *


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