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Musicology

The Key Concepts

David Beard Kenneth Gloag

$231

Hardback

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English
Routledge
05 February 2016
Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:

Autobiography

Music and Conflict

Deconstruction

Postcolonialism

Disability

Music after 9/11

Masculinity

Gay Musicology

Aesthetics

Ethnicity

Interpretation

Subjectivity

With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

By:   ,
Imprint:   Routledge
Country of Publication:   United Kingdom
Edition:   2nd edition
Dimensions:   Height: 216mm,  Width: 138mm,  Spine: 23mm
Weight:   544g
ISBN:   9780415679671
ISBN 10:   0415679672
Series:   Routledge Key Guides
Pages:   360
Publication Date:  
Audience:   General/trade ,  College/higher education ,  ELT Advanced ,  Primary
Format:   Hardback
Publisher's Status:   Active

David Beard is Senior Lecturer in Music at Cardiff University, UK. He has published widely in peer-reviewed journals, including Cambridge Opera Journal, Music Analysis, and Twentieth-Century Music, and is the author of Harrison Birtwistle’s Operas and Music Theatre (2012). He co-edited Harrison Birtwistle Studies (2015) and has contributed chapters to Ancient Drama in Music for the Modern Stage (2010) and Peter Maxwell Davies Studies (2009). He sits on the editorial board of the journal Music & Letters. Kenneth Gloag is Professor of Music at Cardiff University, UK. His publications include books on Tippett’s A Child of Our Time (1999) and Nicolas Maw’s Odyssey (2008). He is author of Postmodernism in Music (2012), and has co-edited and contributed chapters to Peter Maxwell Davies Studies (2009), The Cambridge Companion to Michael Tippett (2013), and Harrison Birtwistle Studies (2015). He was inaugural reviews editor of the journal Twentieth-Century Music (2004–12).

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