Musical Notation in the West

James Grier (University of Western Ontario)

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English

Cambridge University Press
18 February 2021

Medieval & Renaissance music (c 1000 to c 1600); 20th century & contemporary classical music

Series: Cambridge Introductions to Music

Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.

By: James Grier (University of Western Ontario)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 244mm, Width: 167mm, Spine: 15mm
Weight: 560g
ISBN: 9780521726429
ISBN 10: 0521726425
Series: Cambridge Introductions to Music
Pages: 284
Publication Date: 18 February 2021
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

List of figures; List of tables; List of musical examples; Preface; 1. Introduction: musical notation as a symbolic language; 2. Plainsong and the origins of musical notation in the west; 3. Polyphony and rhythmic notation; 4. The transition to the modern era: instrumental music and performing indications; 5. Notational nuance in the twentieth century, and the motives for notational innovation; Bibliography.

James Grier is Professor of Music History at the University of Western Ontario and Fellow of the Royal Society of Canada. He has written The Critical Editing of Music (Cambridge, 1996; Spanish translation 2008), and three books on the music of Adémar de Chabannes, eleventh-century Aquitanian monk.