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Musical Culture in the World of Adam de la Halle

Jennifer Saltzstein

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Hardback

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English
Brill
13 June 2019
In Musical Culture in the World of Adam de la Halle, contributors from musicology, literary studies, history, and art history provide an account of the works of 13th-century composer Adam de la Halle, one of the first named authors of medieval vernacular music for whom a complete works manuscript survives. The essays illuminate Adam’s generic transformations in polyphony, drama, debate poetry, and other genres, while also emphasizing his place in a large community of trouvères active in the bustling urban environment of Arras. Exploring issues of authorship and authority, tradition and innovation, the material contexts of his works, and his influence on later generations, this book provides the most complete and up-to-date picture available in English of Adam’s œuvre. Contributors are Alain Corbellari, Mark Everist, Anna Kathryn Grau, John Haines, Anne Ibos-Augé, Daniel E. O’Sullivan, Judith A. Peraino, Isabelle Ragnard, Jennifer Saltzstein, Alison Stones, Carol Symes, and Eliza Zingesser.
Volume editor:  
Imprint:   Brill
Volume:   3
Dimensions:   Height: 235mm,  Width: 155mm,  Spine: 31mm
Weight:   834g
ISBN:   9789004368453
ISBN 10:   9004368450
Series:   Brill's Companions to the Musical Culture of Medieval and Early Modern Europe
Pages:   446
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Contents Acknowledgements List of Figures List of Tables List of Music Examples Notes on Contributors A Note on Manuscript Sigla Introduction  Jennifer Saltzstein part 1 The Northern Milieu  1 The “School of Arras” and the Career of Adam  Carol Symes  2 The Poets of the North: Economies of Literature and Love  Eliza Zingesser part 2 Material Contexts of Arrageois Song  3 Another Note on fr. 25566 and Its Illustrations  Alison Stones  4 Aristocratic Patronage and the Cosmopolitan Vernacular Songbook: the Chansonnier du Roi (M-trouv.) and the French Mediterranean  John Haines  5 Taking Notae on King and Cleric: Thibaut, Adam, and the Medieval Readers of Chansonnier de Noailles (T-trouv.)  Judith A. Peraino part 3 Genres in Context  6 The Northern Jeu-parti  Daniel E. O’Sullivan  7 The Songs of Adam de la Halle  Isabelle Ragnard part 4 Traditions and Transformations  8 Adam de la Halle: Cleric and Busker  Alain Corbellari  9 Refrain Quotations in Adam’s Rondeaux, Motets and Plays  Anne Ibos-Augé  10 The Pastourelle and the Jeu de Robin et Marion  Anna Kathryn Grau  11 Friends and Foals: The Polyphonic Music of Adam de la Halle  Mark Everist  12 Adam de la Halle’s Fourteenth-Century Musical and Poetic Legacies  Jennifer Saltzstein Annex I – Refrains in Rondeaux and Chansons  Anne Ibos-Augé Annex II – The Refrains and Citations in the Motets  Anne Ibos-Augé Annex III – Lyrical Citations in the Plays  Anne Ibos-Augé Annex IV – Musical Transcriptions  Anne Ibos-Augé Bibliography Index

Jennifer Saltzstein, Ph.D. (2007), is Associate Professor of musicology at the University of Oklahoma. She has published The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (D.S. Brewer, 2013) and articles on medieval French music.

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