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Music, Subjectivity, and Schumann

Benedict Taylor

$169.95

Hardback

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English
Cambridge University Press
07 April 2022
The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with whom it is most closely associated. Adopting a fluid and multivalent approach to a topic situated at the intersection of musicology, philosophy, literature, and cultural history, it seeks to provide a critical refinement of this idea and to elucidate both its importance and limits.

By:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 251mm,  Width: 175mm,  Spine: 25mm
Weight:   819g
ISBN:   9781009158084
ISBN 10:   1009158082
Pages:   350
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Benedict Taylor is Reader in Music at the University of Edinburgh and editor of Music & Letters. His publications include The Melody of Time: Music and Temporality in the Romantic Era (2015) and, as editor, Rethinking Mendelssohn (2020) and The Cambridge Companion to Music and Romanticism (2021).

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