Music in Time

Phenomenology, Perception, Performance

Suzannah Clark, Alexander Rehding

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English

Harvard University, Department of Music,U.S.
06 January 2020

Music; Theory of music & musicology

Series: Isham Library Papers

Music exists in time. All musicians know this fundamental truth-but what does it actually mean? Thirteen scholars probe the temporality of music from a great variety of perspectives, in response to challenges that Christopher F. Hasty, Walter Naumburg Professor of Music at Harvard University, laid out in his groundbreaking Meter as Rhythm.

The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but-more radically-as time shaped in sounds.

Edited by: Suzannah Clark, Alexander Rehding
Imprint: Harvard University, Department of Music,U.S.
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm, Spine: 23mm
Weight: 588g
ISBN: 9780964031777
ISBN 10: 0964031779
Series: Isham Library Papers
Pages: 352
Publication Date: 06 January 2020
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Suzannah Clark is Professor of Music, Harvard University. Alexander Rehding is Fanny Peabody Professor of Music, Harvard University.