Dror Burstein was born in 1970 in Netanya, Israel, and lives in Tel Aviv. A novelist, poet, and translator, he is the author of fourteen books, including the novels Kin and Netanya, and has been awarded numerous national prizes. GABRIEL LEVIN is the author of six collections of poetry, translations, and a collection of essays, The Dune's Twisted Edge: Journeys in the Levant. He lives in Jerusalem.
[Muck is] the story of the Book of Jeremiah by way of Atlantic City; it's a tale of cosmic conflict and very small-scale, very human thwarted ambitions--and it's often bitingly funny. --Steve Donoghue, Open Letters Review In Muck . . . Burstein brilliantly and movingly superimposes [the prophet] Jeremiah's poetic imprecations against the Israel of his time and the strange trajectory of his career, as described in the biblical book named after him, on Israel's present-day travails. It could easily fall flat, but in Burstein's hands it is both hilarious and appalling. --Gabriel Josipovici, The New Statesman Israeli writer Dror Burstein's novel Muck turns all the way back to the Babylonian conquest of Judah, updating the scriptural story of Jeremiah . . . An absurdist blending of ancient and contemporary details . . . in the kvetching style of Joseph Heller. --Sam Sacks, The Wall Street Journal Influenced by such masterworks as Philip Roth's scabrous Sabbath's Theater, Joseph Heller's satirical Catch-22, and the modernist works of Thomas Pynchon, [Muck] is alternately hilarious (dig those talking dogs) and gripping in its treatment of the power of words. Ultimately, Burstein delivers page-turning suspense that gains resonance through its relevance to contemporary Israel . . . a dazzling and dizzying triumph. --Kirkus, starred review A surreal and searing story. --Vol. 1 Brooklyn Burstein manages to wrest Pynchonian satire from biblical eschatology, and his narrative is frequently funny . . . The prevailing sentiment, as Jeremiah's warnings go unheeded by his fellow light-rail commuters, is an all-too-familiar sense of anxiety about an uncertain future. --Brendan Driscoll, Booklist Gritty realism intermixes with historical allusion, allowing [Muck] to function on several levels. The transmogrification of ancient events into a modern context creates a gripping world of hyperrealistic abandon. --Henry Bankhead, Library Journal