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Movies, Songs, and Electric Sound: Transatlantic Trends

Charles O'Brien



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Indiana University Press
08 February 2019
Film theory & criticism; Film movie production: technical skills; Music; Music recording & reproduction; Acoustic & sound engineering
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.
By:   Charles O'Brien
Imprint:   Indiana University Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm, 
ISBN:   9780253040398
ISBN 10:   0253040396
Pages:   240
Publication Date:   08 February 2019
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Introduction Part I: Movies and Songs in Transition Chapter 1: Songs in Cinema in 1930 Chapter 2: Electric Sound as New Medium Chapter 3: Voices and Bodies, Direct and Dubbed Part II: Transnational Trends Chapter 4: Film Editing after Electric Sound Chapter 5: Export Cinema and Modular Aesthetics Part III: Hollywood and Film Europe Chapter 6: American Films and Songs, at Home and Abroad Chapter 7: Musical Films Made in Germany Epilogue: Songs in Cinema, from Electric to Digital

Charles O'Brien is Associate Professor of Film Studies at Carleton University. He is author of Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

Reviews for Movies, Songs, and Electric Sound: Transatlantic Trends

Movies, Songs, and Electric Sound is an insightful study in the beginning of cinema's sound era. * *

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