Money and Materiality in the Golden Age of Graphic Satire

Amanda Lahikainen

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English

University of Delaware Press
12 August 2022

History of art & design styles: c 1800 to c 1900; Prints & printmaking; Social & cultural history; Economic history

This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether.

By: Amanda Lahikainen
Imprint: University of Delaware Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm, Spine: 15mm
Weight: 363g
ISBN: 9781644532683
ISBN 10: 1644532689
Pages: 234
Publication Date: 12 August 2022
Recommended Age: From 18 to 99 years
Audience: College/higher education , College/higher education , Professional and scholarly , Primary , Primary
Format: Paperback
Publisher's Status: Active

AMANDA LAHIKAINEN is the executive director of the Ogunquit Museum of American Art in Ogunquit, Maine. Prior to joining OMAA, she served as an associate professor of art history and chairperson of the art department at Aquinas College in Grand Rapids, Michigan.