Modern Methods for Musicology

Prospects, Proposals, and Realities

Tim Crawford, Lorna Gibson, Professor Marilyn Deegan , Professor Lorna Hughes

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English

Routledge
28 July 2009

Theory of music & musicology; Digital music: professional

Series: Digital Research in the Arts and Humanities

Written by leading experts, this volume provides a picture of the realities of current ICT use in musicology as well as prospects and proposals for how it could be fruitfully used in the future. Through its coverage of topics spanning content-based sound searching/retrieval, sound and content analysis, markup and text encoding, audio resource sharing, and music recognition, this book highlights the breadth and inter-disciplinary nature of the subject matter and provides a valuable resource to technologists, musicologists, musicians and music educators. It facilitates the identification of worthwhile goals to be achieved using technology and effective interdisciplinary collaboration.

Edited by: Tim Crawford, Lorna Gibson
Series edited by: Professor Marilyn Deegan, Professor Lorna Hughes, Mr. Harold Short
Imprint: Routledge
Country of Publication: United Kingdom
Edition: New edition
Dimensions: Height: 234mm, Width: 156mm,
Weight: 453g
ISBN: 9780754673026
ISBN 10: 0754673022
Series: Digital Research in the Arts and Humanities
Pages: 216
Publication Date: 28 July 2009
Audience: College/higher education , Professional and scholarly , Further / Higher Education , Undergraduate
Format: Hardback
Publisher's Status: Active

1: Introduction; 2: Computer Representation of Music in the Research Environment; 3: Digital Critical Editions of Music: A Multidimensional Model; 4: Filling Gaps between Current Musicological Practice and Computer Technology at IRCAM; 5: The Computer and the Singing Voice; 6: Mapping the Use of ICT in Creative Music Practice; 7: On the Use of Computational Methods for Expressive Music Performance; 8: Understanding the Capabilities of ICT Tools for Searching, Annotation and Analysis of Audio-visual Media; 9: Audio Tools for Music Discovery; 10: ‘What was the question?’: Music Analysis and the Computer

Tim Crawford is Senior Lecturer in Computational Musicology at Goldsmiths, University of London. He is the UK coordinator and co-founder of the OMRAS (Online Music Recognition and Searching) project. Lorna Gibson is a Divisional Manager at the University College London, UK. David Meredith, Geraint A. Wiggins, Frans Wiering, Michael Fingerhut, Nicolas Donin, David M. Howard, Celia Duffy, Werner Goebl, Gerhard Widmer, Adam T. Lindsay, Michael Casey, Alan Marsden.