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English
Routledge
18 July 2011
Almost a thousand years of music are treated in this volume on the performance practice of the Middle Ages, covering monophony and polyphony, sacred and secular, genre and theory.

The essays selected deal with the most crucial of performers' decisions: pitch, rhythm, and performing forces, as well as related matters such as proportions, tunings, and the need for ornamentation.

The introduction provides an overview of the major issues and resources, situating medieval music within the context of the early music revival and the debate on authenticity and providing an extended bibliography of relevant scholarship.
Edited by:  
Series edited by:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 246mm,  Width: 174mm,  Spine: 244mm
Weight:   1.292kg
ISBN:   9780754628514
ISBN 10:   0754628515
Series:   The Library of Essays on Music Performance Practice
Pages:   560
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Honey Meconi is Professor of Music in the College Music Department and Professor of Musicology in the Eastman School of Music, University of Rochester, NY. She is an expert on Renaissance music as well as on the music of Hildegard of Bingen. Her books include Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (Oxford University Press, 2003), Early Musical Borrowing (Routledge, 2004) and Fortuna desperata: 36 Settings of an Italian Song (A-R Editions, 2001; reprint edition with revisions, in press). Lance W. Brunner, Katarina Livljanic, Hans Tischler, Hendrik van der Werf, Sylvia Huot, Christopher Page, Edward Roesner, Charles M. Atkinson, Jeremy Yudkin, Ernest H. Sanders, James W. McKinnon, Roger Bowers, Gilbert Reaney, Lawrence Earp, David Fallows, Margaret Bent, Anna Maria Busse Berger, Shai Burstyn.

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