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Enda Walsh’s plays include Disco Pigs, The Walworth Farce, The New Electric Ballroom, Penelope, misterman, Ballyturk, and Arlington. He wrote the book for the musicals Once, Sing Street, and Lazarus with David Bowie, the operas The First Child, The Last Hotel and The Second Violinist, with composer Donnacha Dennehy, and the screenplay for Hunger, which won the Caméra d’Or at the Cannes Film Festival.
Flamboyant, funny and surreal. * Guardian on Medicine * Taut and energetic, frequently bleak, but shot through with touches of absurdist humor... burns with searing honesty... It's chilling, powerful, and unforgettable. * Whatsonstage on Medicine * Enda Walsh's new play is a heartbreaking yet hugely energizing and thrilling journey through one man's troubled past. * Scotsman on Medicine * Takes the stage by storm... It's bizarre, quite extraordinary and mind-boggling. * Broadway Baby on Medicine * Devilishly satirical... cuts disturbingly close to the bone. * Sunday Times on Medicine * In this room echo the ghosts of Ireland's failures: tribunals, institutionalization and complicity. Cruelty is repeated again and again. Only a few a small acts of humanity intervene to mark the passage of time. It is impossible to look away. * The Irish Times on Medicine * Medicine, as directed by Walsh himself, is pitch-perfect, hilarious, terrifying and revelatory. Unforgettable. * The Observer on Medicine *
