Marriage and Late-Victorian Dramatists

Mary Christian

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Hardback

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English

Springer Nature Switzerland AG
24 April 2020

Theatre Studies; Dance & Performing arts

Series: Bernard Shaw and His Contemporaries

This book examines plays produced in England in the 1890s and early 1900s and the ways in which these plays responded to changing perceptions of marriage. Bernard Shaw, Oscar Wilde, and other late-Victorian dramatists challenged romanticized ideals of love and domesticity, and, in the process, these authors appropriated and rewrote the genre conventions that had dominated English drama for much of the nineteenth century. In their plays, theater became a forum for debating the problems of traditional marriage and envisioning alternative forms of partnership. This book is written for scholars specializing in the areas of Victorian studies, dramatic literature, theater history, performance studies, and gender studies.

By: Mary Christian
Imprint: Springer Nature Switzerland AG
Country of Publication: Switzerland
Edition: 2020 ed.
Dimensions: Height: 210mm, Width: 148mm,
Weight: 454g
ISBN: 9783030406387
ISBN 10: 3030406385
Series: Bernard Shaw and His Contemporaries
Pages: 203
Publication Date: 24 April 2020
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Mary Christian is Assistant Professor of English at Middle Georgia State University, USA, where she teaches world literature and modern drama. She has contributed articles to Religion and Literature, Theatre Survey, Humanities, and SHAW: The Journal of Bernard Shaw Studies. She also serves as Membership Secretary for the International Shaw Society.

Reviews for Marriage and Late-Victorian Dramatists

“Marriage and Late-Victorian Dramatists is an especially timely book. … Marriage and Late-Victorian Dramatists is full of similar lively details. It is essential reading for anyone who wants to know more about metatheatre—or any lover of Shaw who just wants to sit down with a readable and well-researched book about an extraordinary period in the history of British drama.” (Jean Reynolds, SHAW The Journal of Bernard Shaw Studies, Vol. 41 (1), 2021)