Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Julie Jaffee Nagel, Ph.D. is a graduate of The Juilliard School, The University of Michigan and The Michigan Psychoanalytic Institute. The critically acclaimed author of Melodies of the Mind, she has drawn from over twenty years of multidisciplinary experience to shed light on performance anxiety as well as the important role of music in understanding a wide range of human emotions. She is also a regular contributor to Huffington Post and The Clavier Companion. She is in private practice in Ann Arbor, Michigan.
Nagel's book is an extremely helpful guide to encouraging my students to perform with confidence...[The] volume is a very welcome addition to any personal library and will certainly help teachers and students understand the complex issue of performance anxiety. Highly recommended. -- Clavier Companion A most important book that addresses the elephant in the room for virtually all performers --Leon Fleisher Julie Jaffee Nagel's impressively detailed and valuable analysis of stage fright provides an indispensable guide for teachers, students, and professional musicians concerned with this all too common and often intractable problem. --A rnold Steinhardt, First Violinist of the Guarneri String Quartet Julie Jaffee Nagel has given us a beautifully organized and sympathetically written book that successfully addresses the issue of stage fright, a topic too often neglected, to the regret of the performer...Students, teachers, parents, and performers of all types would do well to read it. --Joseph W. Polisi, President, The Juilliard School Utilizing her unique qualifications as a performer, pedagogue, and psychoanalyst, Nagel weaves essential psychological concepts, probing questions, insightful case studies, and practical suggestions into absorbing, easy-to-read guidebook on stage fright for musicians. This book should be required learning for everyone who teaches music lessons, or, as Nagel considers them, 'life lessons'. --Dr. Gary L. Ingle, Executive Director and CEO, Music Teachers National Association When self-doubt and the fear of what others think creeps into our students' psyche, what are we to do? How can we coach pianists to find the right balance of adrenalin, mental and emotional health to develop successful performance skills? Answers to all of these questions are addressed in Julie Jaffee Nagel's new book called Managing Stage Fright: A Guide for Musicians and Music Teachers. The well-organized, easy-to-read book is packed with sensible advice, insightful tips, and well-researched strategies. It's a must-have for any music teacher's library. That's what sets this book apart--it's not only for performers, it's also for teachers of performers! --Leila Viss, 88 Piano Keys