Matthew Wale completed his PhD in history at the University of Leicester in 2018. He is a volume editor for the John Tyndall Correspondence Project.
"""Matthew Wale provides wonderfully fresh insight into vernacular science by deftly combining print history with investigations into the many activities of entomological enthusiasts during the Victorian period. Popular periodicals produced by editors such as Edward Newman and Henry Stainton created a lively hub for practitioners from all walks of life. Wale shows how this community of eager readers can be explored for greater historical understanding of the forms of expertise and participation, as well as the emergence of subtle social divisions that would eventually be expressed in the divide between amateurs and the professional world of museums."" --Janet Browne, Harvard University ""The diverse array of nineteenth-century British entomologists is vividly brought to life in Matthew Wale's lively account. The quirky, the cantankerous, the liberal, the gentlemanly, the mercenary--as well as class and gender differences--are exhibited through the revealing lens of the scientific periodical. Wale convincingly challenges a narrative of professionalization by showing how periodicals both reflected and shaped the key entomological practices that defined the 'imagined communities' they aimed to establish."" --Anne Secord, University of Cambridge"