Making Copies in European Art 1400-1600: Shifting Tastes, Modes of Transmission, and Changing Contexts...

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Maddalena Bellavitis

Making Copies in European Art 1400-1600

Name: Making Copies in European Art 1400-1600
Price: 601.22 AUD
Availability: OutOfStock
ISBN: 9789004360891

Shifting Tastes, Modes of Transmission, and Changing Contexts

Maddalena Bellavitis

$751.95 $601.22

Hardback

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English

Brill
13 December 2018

Forgery, falsification & theft of artworks; Renaissance art; Art Treatments & Subjects

Series: Brill's Studies on Art, Art History, and Intellectual History

Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.

Volume editor: Maddalena Bellavitis
Imprint: Brill
Volume: 286/30
Dimensions: Height: 235mm, Width: 155mm, Spine: 28mm
Weight: 1.135kg
ISBN: 9789004360891
ISBN 10: 9004360891
Series: Brill's Studies on Art, Art History, and Intellectual History
Pages: 544
Publication Date: 13 December 2018
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Maddalena Bellavitis, Ph.D., is adjunct lecturer of Early Modern Art History at Boston University. She has published a monograph and several articles and essays on European Art, infrared analysis of works of art, and iconography.

Reviews for Making Copies in European Art 1400-1600: Shifting Tastes, Modes of Transmission, and Changing Contexts

“The collected essays will be of interest to early modernists in a broad range of disciplines but may be of particular interest to those interested in the art market and cross-cultural studies.” Theresa Kutasz Christensen, in: Renaissance Quarterly, Vol. 73 , No 4 (Winter 2020), pp. 1365–1366.