Lucian Freud

Catalogue Raisonné of the Prints

Toby Treves

$259.95

Hardback

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English

Modern Art Press
09 August 2022

History of Art & Design Styles; Prints & printmaking; Individual artists, art monographs; Exhibition catalogues & specific collections

A record of every print Freud made, from early linocuts of the 1930s to his last etching published in 2007

This first volume of the Lucian Freud catalogue raisonné focuses on the artist’s prints. The only complete volume of Freud’s prints, the book builds upon the work of earlier cataloguers and adds much new material which has come to light since the artist’s death. The volume records every print Freud made, from the early linocuts of the 1930s to his last etching published in 2007. Each work—including uneditioned etchings and unique proofs—is reproduced and fully catalogued by Toby Treves. Treves’s remarks include clear, precise technical detail for specialists and are informed by his knowledge of the wider oeuvre. An essay by the critic and Freud specialist Sebastian Smee, and an interview between art historian Martin Gayford and Freud’s main printmaker, Marc Balakjian, provide further insights into this part of the artist’s oeuvre. The catalogue raisonné has been designed by Design Holborn, also responsible for the recent publications Lucian Freud, with text by Martin Gayford, and Lucian Freud: A Life.

By: Toby Treves
Imprint: Modern Art Press
Country of Publication: United Kingdom
Dimensions: Height: 300mm, Width: 354mm, Spine: 43mm
Weight: 3.748kg
ISBN: 9781916347458
ISBN 10: 1916347452
Pages: 320
Publication Date: 09 August 2022
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Toby Treves is an independent art historian and a former collections curator of twentieth century British Art at Tate.

Reviews for Lucian Freud: Catalogue Raisonné of the Prints

It is a handsome production, impeccably designed and produced...A pleasure to read...Publisher and authors have done admirably by one of Britain's most distinguished artists with this impeccable, rigorous and beautiful book. -Alexander Adams, British Art Journal