Lesley Stevenson has a PhD from the Courtauld Institute of Art on 'Modernism, Still Life and Cezanne' and currently teaches in the School of Art, Architecture and Design at London Metropolitan University. Her previous publications include monographs on Gauguin, Renoir, Toulouse-Lautrec and Manet. Her research focuses on the genre of still life in painting and photography.
'Stevenson’s study illustrates the innovative strategies that are required to complete women’s art histories when the official record leaves so many gaps to be filled. The book’s accessibility – in language, length and level of prior knowledge required – broadens its possible reach beyond an academic audience and is a welcome addition to scholarship on seventeenth-century French art production and the women whose careers must be included in this story.' – Tori Champion, The Burlington Magazine