Looking to Sea

Looking to Sea is a remarkable and compelling book. It is both a wonderfully sustained mapping of the intersection between artists, writers and the sea and a meditation on belonging and displacement. I loved it. * Edmund de Waal * An elegant scheme, beautifully written... From Alfred Wallis to Tracey Emin's Margate beach hut, this is an elegant guide to a century of seaside art... This book will give you sea fever. Pack your sou'wester, fill your Thermos, take a train to the coast. Read this sitting on the pier and see what you can see -- Laura Freeman * The TImes * Le Brun's writing is at once bold and delicate, far-reaching and fine-tuned. Her book explores the inexhaustible variety of human perception. * Alexandra Harris * Ambitious . . . accessible . . . a chronicle of British art, unfurled against the panoramic backdrop of 20th-century history * Sunday Telegraph * A smart and clear-eyed set of meditations on marine gaze, made with a painterly touch worthy of the chosen artists. Empathy and intelligence lift memoir into cultural history. * Iain Sinclair * A carefully considered and enjoyable mix of biography, art criticism and personal reflection -- Chloë Ashby * Spectator * This history of twentieth-century Britain, refracted through ten artistic responses to the sea, is beautifully written - authoritative and questioning; scholarly, but also vividly insightful about bodies, private lives, feelings, the often-overlooked quotidian. Each chapter mixes biography with anecdote, cultural criticism with lyrical description and wider philosophical musing . . . Le Brun apparently uses the artists' own visions to comment on today's Britain, though in fact her own range often outstrips theirs -- Jan Dalley * Financial Times * One for wild swimmers, beachcombers, wind surfers and all who like to be beside the seaside with a sketchbook and watercolour set. In her first, transporting book, Lily Le Brun sweeps the beaches of the past century of British art, collecting treasures from sea, shingle and shore . . . A book to pack in your picnic basket for shivering dips, heatwave day trips and ice-cream Sundays. -- Books of the Year * The Times * Held within a neatly conceived structure and based on far-reaching research, this book is not only about art but also about national identity, belonging and displacement. It churns with large ideas as well as persuasive arguments . . . Le Brun has an eye and ear for details that catch the reader's attention. She handles words with great skill and piercing thought -- Frances Spalding * Literary Review * Ten hallmark, water-themed artworks provide a key into reading the modern history of the UK and the 20th century * Monocle * A beautifully illustrated, meditative book for art lovers who also like the sea . . . This guide will make you long for salty air, sand and fish and chips. Pack the book and a flask of tea (or whisky) and head for the coast * The Lady * [A] rich portrait of our island nation . . . Le Brun has written a study of Britain imagined, Britain as it recently was, and of Britain becoming . . . elegant and endlessly interesting . . . as much a rich compendium of social history as it is a hard consideration of art itself . . . reading Le Brun's book will give you a renewed love for this place that sits apart -- Patrick Galbraith * Critic *