Framing the Ephemeral marks the first publication of Lois Dodd (b. 1927), offering a captivating exploration of her observational paintings that capture everyday moments with a focus on light and atmosphere. Known for her swift, thin layers of paint, Dodd masterfully conveys fleeting, never-to-return scenes, revealing a fresh perspective on the ordinary. Her ability to observe with clarity and translate it into vivid works is rare, as is her remarkable seven-decade-long career. At 96, Dodd remains a pioneering yet often overlooked figure in post-war American art, challenging traditional gender norms and standing firm in her commitment to observational painting. This book shines a light on her profound contributions and reaffirms her place in art history.
AUTHORS: Featuring text contributions from Hans Ulrich Obrist, Artistic Director of the Serpentine Galleries; Janice McNab, fellow at the Women's International Study Center (Santa Fe); Karen Wilkin, New York-based curator and critic specializing in 20th-century Modernism; Katy Hessel, art historian and founder of The Great Women Artists podcast; Louise Bjeldak Henriksen, Curator at Kunstmuseum Den Haag; and many others.
SELLING POINTS: .
First Publication on Lois Dodd: The book is the first comprehensive exploration of Dodd's work, making it a must-have for collectors and art enthusiasts .
Captivating Observational Paintings: Showcasing her ability to capture everyday moments with a focus on light, atmosphere, and fleeting scenes .
Distinctive Technique: Features her signature use of swift, thin layers of paint, offering a fresh perspective on the ordinary .
Seven-Decade Career: Highlights her remarkable longevity and consistent innovation in the art world .
Pioneering Female Artist: Celebrates her role as a trailblazer in post-war American art, challenging gender norms and often overlooked contributions .
Art Historical Significance: The book reaffirms her place in art history, shining a spotlight on her profound legacy .
Publication accompanying the exhibition at Kunstmuseum Den Haag from 30 August 2025 to 4 January 2026
160 colour illustrations
Contributions by:
Hans Ulrich Obrist,
Louise Bjeldak Henriksen,
Karen Wilkin
Imprint: Miscellaneous
Country of Publication: Belgium
Dimensions:
Height: 290mm,
Width: 235mm,
Spine: 24mm
Weight: 1.460kg
ISBN: 9789464941890
ISBN 10: 9464941898
Pages: 240
Publication Date: 01 December 2025
Audience:
General/trade
,
ELT Advanced
Format: Other merchandise
Publisher's Status: Active
Foreword 6 Introduction 8 Closing in on Nature—Lucy R. Lippard 16 A Freshening—Laura McLean-Ferris 36 Lightness of Sight—Faye Hirsch 60 Light of Awareness—Daniel Koep 80 The View from the Window—Karen Wilkin 100 “Look, the trees”—Janice McNab 118 The Window as Witness (and Mythmaker)—Katy Hessel 150 In Conversation—Lois Dodd and Hans Ulrich Obrist 166 Lois, Yesterday and Today—Vincent Katz 186 A Gift to be Simple—Phil Alexandre 202 Bringing Nature In—Louise Bjeldbak Henriksen 214 Biography 222 List of Works 226 Contributors’ Biographies 234
Featuring text contributions from Hans Ulrich Obrist, Artistic Director of the Serpentine Galleries; Janice McNab, fellow at the Women’s International Study Center (Santa Fe); Karen Wilkin, New York-based curator and critic specialising in 20th-century Modernism; Katy Hessel, art historian and founder of The Great Women Artists podcast; Louise Bjeldak Henriksen, Curator at Kunstmuseum Den Haag; and many others.
Reviews for Lois Dodd: Framing the Ephemeral
The Financial Times has done a piece on the exhibition Lois Dodd: Framing the Ephemeral, currently on at Kunstmuseum Den Haag, Netherlands. - Financial Times
