Sofia Vranou holds a PhD from Queen Mary University of London. She has a background in art history and visual cultures, and a strong interest in live art, queer aesthetics, performative costuming, subcultural histories and marginal identities.
“Without dimming a trailblazing light, the book is bound to be a key source for studying the complexity and enduring influence of Leigh Bowery’s practice across live art, visual culture and queer studies.” -- Stephen Farrier, Professor of Theatre and Performance, Rose Bruford College “This is an essential read for anyone interested in the critical relationship between culture, art, and material-corporeal expressive practices, where costume and performance serve as instrumental interventions in pressing social matters. Through Leigh Bowery’s provocative practice, this detailed and enlightening study navigates rich and relevant discourses implicated by his performance art. Emerging against the background of the HIV/AIDS crisis, it also articulates a diverse and anti-disciplinary legacy of acceptance and difference.” -- Donatella Barbieri, Reader in Critical Costume Practices and Cultures, London College of Fashion