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English
Royal Academy of Arts
01 December 2021
One of Britain's greatest landscape painters, John Constable (1776–1837) was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His 'six-footers', such as The Hay Wain and The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career.

With texts by leading authorities on the artist, this handsome book looks at the near-abstract quality of Constable's late works, and examines his influence upon later schools of painting, from the Impressionists to the Abstract Expressionists.

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A fascinating study of the art and influence of one of Britain's greatest landscape painters .

Accompanies an exhibition at the Royal Academy, London, 30 October 2021 – 13 February 2022

100 colour illustrations

By:   ,
Imprint:   Royal Academy of Arts
Country of Publication:   United Kingdom
Dimensions:   Height: 190mm,  Width: 260mm, 
Weight:   690g
ISBN:   9781912520725
ISBN 10:   1912520729
Pages:   152
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Unspecified
President’s Foreword Truth to Painting: Constable’s Late Work Anne Lyles Majestic Darkness: Constable’s Late Drawings Matthew Hargraves Catalogue Plates Late Constable: A Timeline Annette Wickham and Mark Pomeroy Endnotes Further Reading Lenders to the Exhibition Photographic Acknowledgements Index

Reviews for Late Constable

This year, the Fondation Vuitton strikes again with an exhibition of the Morozov Collection, about 200 French and Russian works bought by two other textile magnates, the brothers Mikhail and Ivan Morozov, who also made multiple Paris shopping trips -- New York Times;


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