Lamestains

Grunge, Sub Pop and the Music of the Loser

Nicholas Attfield

$37.99

Hardback

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English

Reaktion Books
01 October 2023

Rock & Pop music; Music industry

This book is a critical history of Sub Pop, the Seattle independent rock label that launched the careers of countless influential 'grunge' bands in the late 1980s and early 1990s.

It focuses in particular on the languages and personas of the 'loser', a term that encompassed the label's founders and personnel, its flagship bands (including Mudhoney, TAD and Nirvana) and the avid vinyl-collecting fans it rapidly amassed.

The 'loser' became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success.

By: Nicholas Attfield
Imprint: Reaktion Books
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm,
ISBN: 9781789147063
ISBN 10: 1789147069
Pages: 304
Publication Date: 01 October 2023
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Nicholas Attfield is an Associate Professor of Music at the University of Birmingham. His books include an account of Dinosaur Jr's 1987 album You're Living All Over Me in the 33 1/3 series (2011).

Reviews for Lamestains: Grunge, Sub Pop and the Music of the Loser

"""The impact of Sub Pop Records on the music industry isn't in doubt. What Attfield does in this brilliant, impeccably researched, and beautifully written book is to illuminate the label's cultural identity and aesthetic, through a deep dive into its origins, politics, and relationship with the mainstream. The result is one of the best and most thought-provoking books I've ever read about a record label.""--David Barker, University of Derby ""At the heart of Lamestains--Attfield's overview of grunge and the contradictions surrounding its formation and popularity--lies a core truth: rock sells individuality and exclusivity to anyone and everyone. To the author's credit, he never shies away from this paradox, instead using it as the jumping off point for a deep dive into a world of distortion, divergence and musical deconstruction. A thoroughly engaging read that is at once heady, harrowing and way insightful. Yes, I recommend it.""--Everett True, author of ""Nirvana: The True Story"" and ""Live Through This: American Rock Music in the Nineties"""