Kinesthetic Peoplehood: Jewish Diasporic Dance Migrations explores how people experience diaspora not only through geography or shared histories of exile and displacement, but also through the body itself. Drawing upon extensive archival materials, interviews, and ethnographic research, this book demonstrates how dance embodies the cultural migrations at the heart of Jewish experience. Focusing on the circulation of Jewish diasporic cultural production across Israel and the United States between the Cold War and Covid, this book illuminates how American Jewish audiences connected with Israel through performances and classes with Israeli choreographers who immigrated to or toured through the United States. Through their performances, these choreographers offered audiences diverse perspectives on global Jewish cultures. Kinesthetic Peoplehood highlights dance migrations from the Middle East, South Asia, Africa, and queer communities to revise conventional diasporic narratives and hierarchies. Kinesthetic Peoplehood expands our understanding of diasporic dance practices. It brings a fresh perspective to broader conversations about Israeli theatrical dance by centering Mizrahi, Ethiopian, and queer Jewish dance histories often marginalized in historical discourse to pose diaspora as a bodily experience in which people find home.
Introduction: Kinesthetic Peoplehood 1: Inbal Dance Theater: Jewish Spectatorship and Cold War Modernism 2: Migrations of South Asian Gestures: Margalit Oved, Barak Marshall, and the Translocality of Jewish Dance 3: Ze'eva Cohen: Dancing Mizrahi Feminist Postmodernism 4: Queer Israeli Diasporic Migrations: Politics, Pleasure, and Belonging Through the Body 5: Dually Diasporic Dancing: Jewish and African Diasporic Dance in the Work of Dege Feder, Beta Dance Company, and Eskesta Dance Theatre Conclusion: Coming Home to the Body
Hannah Kosstrin is Associate Professor of Dance and Director of the Melton Center for Jewish Studies at The Ohio State University. She is author of Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow (Oxford University Press, 2017) and numerous articles on Jewish dance in global contexts and dance research methods. A dance historian and movement analyst, she engages research across dance, Jewish, gender, diaspora, and migration studies. She serves on the editorial boards of the Journal of Jewish Identities, Dance Research Journal, and Shalvi/Hyman Encyclopedia of Jewish Women.