Aswini Kumar Ghose (1892-1962) is an eminent Odia theatre personality. He is related to two illustrious sons of Odisha: Karmaveer Gourishankar Ray was his maternal grandfather and Ramshankar Ray, the pioneer Oriya dramatist, was his maternal granduncle. His dramas can be divided into three categories namely mythological, historical and social. His mythological and devotional plays are Bhishma, Sabitri, Salbeg, Dasia Bauri, Tyagi Ram Das, Sri Mandira, Raghu Arakhit, Bandhu Mohanty, Chandaluni, Janaki, Sakhigopal, Satyanarayan. His historical plays include Seojee, Kalapahad, Govinda Vidyadhar, Samaleswari, Utkala Seojee, Kalapahad, Govinda Vidyadhar, Samaleswari, Utkala Gaurav, Konark, Kesari Ganga, Paikapua, Tajmahal, Odiajhia, Bhanja Bhunjanga, Kapilendradev, Bhubaneswar. His social plays are Hindu Ramani, Masterbabu, Irani, Bhai, Sri Lokanath, Chasa Jhia, Mamalatkar, Abhinay, Dukhe Sukhe, and Kaidi. Bhagabat Nath is a retired Senior Reader in English. He had his M.A. and Ph.D. from the Utkal University, Odisha and served in various Government colleges of the State. He retired from Kuntala Kumari Sabat Women's College, Balasore, Odisha in 2009. His area of interest is Indian Writing in English, Twentieth Century Literary Criticism and Translation Studies. Since retirement on superannuation he has been taking avid interest in translating Odia Historical Plays into English and English Short Stories into Odia.