Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanese studies from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art, head of the Department of Japanese and Korean Art, and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. He is the author of The Sixty-Nine Stations along the Kisokaido (2017), Japanese Woodblock Prints (2019), and Thirty-six Views of Mount Fuji (2021).
A quarter-millennium's worth of prints reveal the evolving tastes of Japanese artists over the ages, and the impact of this art form on global culture. * The New York Times * A contemplative and dreamlike stroll through the most beautiful landscapes of this fantasized Japan. * Vogue *