Japanese Gardens and Landscapes, 1650-1950

Wybe Kuitert

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Hardback

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English

University of Pennsylvania Press
07 July 2017

Landscape art & architecture; Asian history; Gardens (descriptions, history etc)

Series: Penn Studies in Landscape Architecture

Moss, stone, trees, and sand arranged in striking or natural-looking compositions: the tradition of establishing and refining the landscape has been the work of Japanese gardeners and designers for centuries. In Japanese Gardens and Landscapes, 1650-1950 Wybe Kuitert presents a richly illustrated survey of the gardens and the people who commissioned, created, and used them and chronicles the modernization of traditional aesthetics in the context of economic, political, and environmental transformation.

Kuitert begins in the Edo period (1603-1868), when feudal lords recreated the landscape of the countryside as private space. During this same period, and following Chinese literary models, scholars and men of letters viewed the countryside itself, without any contrivance, as the ideal space in which to meet with friends and have a cup of tea. Stewards of inns, teahouses, and temples, on the other hand, followed increasingly cliched garden designs prescribed in popular, mass-produced pattern books. Over the course of the late nineteenth and early twentieth centuries, the newly wealthy captains of industry in Tokyo adopted the aesthetic of the feudal lords, finding great appeal in naturalistic landscapes and deciduous forests.

Confronted with modernization and the West, tradition inevitably took on different meanings. Westerners, seeking to understand Japanese garden culture, found their answers in the pattern-book cliches, while in Japan, private landscapes became public and were designed in environmentally supportable ways, all sponsored by the government. An ancient, esoteric, and elite art extended its reach to every quarter of society, most notably with the extensive rebuilding that occurred in the aftermath of the Tokyo earthquake of 1923 and the end of World War II. In the wake of destruction came a new model for sustainable public parks and a heightened awareness of ecological issues, rooted above all in the natural landscape of Japan.

Featuring more than 180 color photographs and reproductions, Japanese Gardens and Landscapes, 1650-1950 illustrates a history of changes and continuities across a span of three centuries and makes an eloquent case for the lessons to be learned from the Japanese tradition as we face the challenges of a rapidly changing human habitat.

By: Wybe Kuitert
Imprint: University of Pennsylvania Press
Country of Publication: United States
Dimensions: Height: 216mm, Width: 254mm,
ISBN: 9780812244748
ISBN 10: 0812244745
Series: Penn Studies in Landscape Architecture
Pages: 384
Publication Date: 07 July 2017
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Preface Chapter 1. Landscape Enjoyed at Ease Chapter 2. Garden Stuff and Blueprints for the Masses Chapter 3. Time and Space in a Cup of Tea Chapter 4. Defining the Japanese Garden: Science, Vacuum, and Confusion Chapter 5. Passion and Emotion in the Meiji Landscape Chapter 6. Reforming the Tradition Chapter 7. Everybody's Landscape Epilogue. The Cricket Cage Notes Bibliography Index Acknowledgments

Wybe Kuitert is a licensed landscape architect and Professor of Environmental Studies at Seoul National University. He is author of Themes in the History of Japanese Garden Art.

Reviews for Japanese Gardens and Landscapes, 1650-1950

[A] rich and refreshing social history of early modern and modern gardens . . . [A]s elegant physically as it is engrossing intellectually . . . Kuitert's study is hugely informative in its examination of often overlooked chapters of garden history as well as its welcome alternative to the familiar discourse on gardens as sublime mysteries rooted in essential qualities of Japanese-ness.--Journal of Japanese Studies [Ri]ch in discussion and brings many historical sources to the readers' attention . . . Kuitert's book makes premodern and modern Japanese garden history highly accessible, while eschewing the common distortions of popular literature. Here we get a serious and comprehensive treatment in an enjoyable prose style which is open to a broad range of readers.--Japan Review