James MacMillan Studies

Name: James MacMillan Studies
Price: 217.73 AUD
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ISBN: 9781108492539

George Parsons, Robert Sholl (Royal Academy of Music, London)

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Hardback

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English

Cambridge University Press
06 August 2020

Music reviews & criticism; 20th century & contemporary classical music; Religion: general; Christian theology

Series: Cambridge Composer Studies

The Scottish composer Sir James MacMillan is one of the major figures of contemporary music, with a world-wide reputation for his modernist engagement with religious images and stories. Beginning with a substantial foreword from the composer himself, this collection of scholarly essays offers analytical, musicological, and theological perspectives on a selection of MacMillan's musical works. The volume includes a study of embodiment in MacMillan's music; a theological study of his St Luke Passion; an examination of the importance of lament in a selection of his works; a chapter on the centrality of musical borrowing to MacMillan's practice; a discussion of his liturgical music; and detailed analyses of other works including The World's Ransoming and the seminal Seven Last Words from the Cross. The chapters provide fresh insights on MacMillan's musical world, his compositional practice, and his relationship to modernity.

Edited by: George Parsons, Robert Sholl (Royal Academy of Music, London)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 252mm, Width: 180mm, Spine: 20mm
Weight: 620g
ISBN: 9781108492539
ISBN 10: 1108492533
Series: Cambridge Composer Studies
Pages: 266
Publication Date: 06 August 2020
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

George Parsons studied Music at the University of Oxford, where he was Organ Scholar at The Queen's College. He is a Fellow of the Royal College of Organists, an independent researcher and is currently training for Christian ministry at the London Seminary. Robert Sholl is a Professor of Music at the University of West London and teaches at the Royal Academy of Music. He is a performer and writer on music, specialising in twentieth-century music and publishing extensively in this area. He is editor of Contemporary Music and Spirituality (with Sander van Maas, 2016).