Ivo van Hove: From Shakespeare to David Bowie

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Professor Sonia Massai (Sapienza, University of Rome, Italy, and King’s College, London, UK) Susan Bennett (University of Calgary, Canada)

Ivo van Hove

From Shakespeare to David Bowie

Professor Sonia Massai (Sapienza, University of Rome, Italy, and King’s College, London, UK), Susan Bennett (University of Calgary, Canada)

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English

Methuen Drama
12 July 2018

Theatre: individual actors & directors; Theatre direction & production

Series: Performance Books

This book offers a wealth of resources, critical overviews and detailed analysis of Ivo van Hove’s internationally acclaimed work as the foremost director of theatre, opera and musicals in our time. Stunning production photos capture the power of van Hove’s directorial vision, his innovative use of theatrical spaces, and the arresting stage images that have made his productions so popular among audiences worldwide over the last 30 years. Van Hove’s own contribution to the book, which includes a foreword, interview and his director’s notes for some of his most popular shows, makes this book a unique resource for students, scholars and for his fans across the different art forms in which he works.

An informative introduction provides an overview of van Hove’s unique approach to directing, while five sections, individually curated by experts in the respective fields of Shakespeare, classical theatre, modern theatre, opera, musicals, film, and international festival curatorship, offer readers a combination of critical insight and short excerpts by van Hove’s collaborators, the actors in the ensemble companies van Hove works with in Amsterdam and New York, and by arts critics and reviewers.

Edited by: Professor Sonia Massai (Sapienza University of Rome Italy and King’s College London UK), Susan Bennett (University of Calgary, Canada)
Imprint: Methuen Drama
Country of Publication: United Kingdom
Dimensions: Height: 244mm, Width: 169mm,
Weight: 502g
ISBN: 9781350031548
ISBN 10: 1350031542
Series: Performance Books
Pages: 264
Publication Date: 12 July 2018
Audience: College/higher education , A / AS level , Further / Higher Education
Format: Paperback
Publisher's Status: Active

"List of Illustrations Colour Plates Notes on Contributors Foreword, ""My Life in Theatre"" by Ivo van Hove Acknowledgements Introduction Section One: Directing the Classics Section Two: The Festival Performances of Ivo van Hove and Toneelgroep Amsterdam Section Three: American Theatre Section Four: Opera across Europe Section Five: Creation, Adaptation, Direction Selected Further Reading Notes Bibliography Index"

Susan Bennett is University Professor in the Department of English at the University of Calgary, Canada. Her books include Theatre Audiences (1997), Performing Nostalgia (1996) and Theatre & Museums (2013). Recent edited collections are Shakespeare Beyond English (co-edited with Christie Carson, 2013) and Performing Environments: Site-Specificity in Medieval & Early Modern Drama (co-edited with Mary Polito, 2014). She is series editor, with Kim Solga, for Theory for Theatre Studies (Bloomsbury Methuen Drama). Sonia Massai is Professor of Shakespeare Studies in the English Department at King's College London, UK. Her publications include her book, Shakespeare and the Rise of the Editor (2007), and World-Wide Shakespeares: Local Appropriations in Film and Performance (2005), and critical editions of The Paratexts in English Printed Drama to 1642 ( 2014) and John Ford's Tis Pity She's a Whore for Arden Early Modern Drama (2011).

Reviews for Ivo van Hove: From Shakespeare to David Bowie

Fascinating insights into the breadth, diversity, evolution, and significance of van Hove’s work. * Shakespeare Quarterly * The subtitle of Ivo van Hove: From Shakespeare to David Bowie suggests how widely [van Hove] has ranged to create theatre synthesizing realism and stylization to stimulate audiences into seeing classics of every kind with fresh eyes. And that subtitle doesn’t entirely capture the full range on display in this informative new collection assembled by theatre scholars Susan Bennett and Sonia Massai. * American Theatre *