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It's One For The Money

Clinton Heylin



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07 July 2016
Song publishing is the one constant in the carousel of recorded music now spanning the past century, and has been the way that song-credits and publishing revenue have caused ructions and recriminations, and inspired writers by making them poor and lawyers rich.

Whether it be Procul Harum going to court to decide who really wrote 'Whiter Shade of Pale' or the Moody Blues wanting their fair share of 'Nights of White Satin', when the song-credits get divvied up, a parting of the ways citing 'musical differences' is almost inevitable.

So here are some choice examples of poplore held up to the light, some familiar to music fans others not, designed to prove that Dylan knew of what he wrote when he suggested, 'Money doesn't talk, it swears'.

Between them, they provide the unvarnished story of popular song from the days jukeboxes and radio replaced wax cylinders and piano rolls to the era of digital downloads, legal and illegal...
By:   Clinton Heylin
Imprint:   Constable
Country of Publication:   United Kingdom
Edition:   Digital original
Dimensions:   Height: 197mm,  Width: 127mm,  Spine: 31mm
Weight:   384g
ISBN:   9781472122117
ISBN 10:   1472122119
Pages:   480
Publication Date:   07 July 2016
Audience:   College/higher education ,  Professional and scholarly ,  Primary ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Clinton Heylin is the author of biographies of Bob Dylan, Van Morrison and Bruce Springsteen, and histories of US and UK punk (From The Velvets To The Voidoids and Babylon s Burning), he has tackled every aspect of pop music and culture in a 25-year career as a full-time author/historian.

Reviews for It's One For The Money

Essential reading for anyone who loves popular music and wants to know the real, complex story of how the music evolved; from the blues to rock, including fascinating, history-revising accounts of who really wrote what. It's One for the Money is packed with invaluable revelations on virtually every page. After reading Clinton Heylin's century-wide study of musical theft and influence, it's impossible to distinguish the criminals from the saints. His compelling narrative questions the very notions of authenticity and originality in popular music, and overturns many of the myths on which its history has been built. With customary precision and a fine eye for detail, Heylin lifts the lid off the dustbin of Pop. Heylin digs deep into the recesses of musical history to prove there is (almost) nothing new under the musical sun. An impressive work of research and wry commentary on the song-publishing racket. A fascinating story of sometimes blatant theft and the power struggles for credit that have been a part of the music industry since voices were first raised in song. Heylin examines the highways and byways by which one song is transformed into another across more than a century of popular music, and how infighting over who wrote what would have enormous impact on the lifespan of many bands and on the track listings of some of our most revered albums in a bid for a piece of the economic windfall that is publishing royalties. A terrific guide to the evolution of the popular song - Spectator [A] meticulous study of music publishing, plagiarism and song ownership - Sunday Times Fascinating stuff, intensively researched and utterly intriguing - Mojo

  • Long-listed for Penderyn Music Book Prize 2016
  • Long-listed for Penderyn Music Book Prize 2016 (UK)
  • Long-listed for Penderyn Music Book Prize 2016.

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