Invisible Digital

In Invisible Digital Aylish Wood provides a timely and rich illumination of the complex interrelations between software and culture that underpin digital moving images of the natural world in our games and animation. * Lisa Bode, Senior Lecturer in Film and TV Studies, University of Queensland, Australia * As AI systems and processes proliferate across all areas of cultural production, Aylish Wood’s study of the material-cultural narratives that emerge from software couldn’t be timelier and more essential. Drawing on the animated feature Moana and the video games No Man’s Sky and Everything, Wood deftly teases out the relationality between digital processes in the animation, visual effects, and gaming industries, and the production assemblages and discourses that underpin their reception. Combining relational theory, materialism, and production studies, her insightful analysis offers a valuable blueprint for understanding contemporary digital forms through the cultural and technological mediations that surround them. * Mihaela Mihailova, Assistant Professor in the School of Cinema at San Francisco State University, USA * This is a fascinating and essential work for anyone interested in the study of computer animation and video games. Aylish Wood dares to look beneath the surface of our digital images and explore the complex simulations, algorithms and software that underpin their production. Equally comfortable contending with mathematical models and digital media theory, Wood elucidates the technical, aesthetic and social issues involved in the creation and reception of increasingly “automated” games and animation. No one is better at analyzing the cultural and computational entanglements involved in contemporary digital images. * Joel McKim, Senior Lecturer in Digital Media and Culture, Birkbeck, University of London, UK * Revealing the contours and assemblages of software, algorithms, and platforms in animations found across the contemporary media landscape, Invisible Digital wonderfully connects studies of computational technology to aesthetic form. Aylish Wood's materialist analyses show how wave particles or procedurally generated worlds that exist in software animations not only offer ways of understanding digital culture, but the manner through which it is entangled with broader cultural histories, contexts, and narratives. With technical explanations that are both thorough and accessible, Invisible Digital provides an invaluable mapping of computational media, contemporary culture, and the wonders of animation that emerge at their intersection. * Andrew Johnston, Associate Professor, North Carolina State University, USA *