The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case.
Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity.
By:
Jennifer Stephenson
Imprint: University of Toronto Press
Country of Publication: Canada
Dimensions:
Height: 239mm,
Width: 165mm,
Spine: 28mm
Weight: 560g
ISBN: 9781487501853
ISBN 10: 1487501854
Pages: 296
Publication Date: 14 April 2019
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Hardback
Publisher's Status: Active
"1. Introduction 2. Real People Part 1: Winning and/or losing the game of life in autobiographical performance—Winners and Losers 3. Real People Part 2: Insecurity and ethical failure in the encounter with stranger—100% Vancouver, RARE, and Polyglotte 4. Real Words: Reproducing life in remediated verbatim theatre—Seeds and 300 TAPES 5. Real Space: The insecure geographies of site-specific audio walks—Garden/ /Suburbia and Landline 6. Real Bodies Part 1: The traumatic real in immersive performances of political crisis and insecurity—Counting Sheep and Foreign Radical 7. Real Bodies Part 2: Narcissistic spectatorship in theatrical ""haunted houses"" of solo immersive performance—Everyman 8. Coda: Theatres of the real in the age of post-reality"
Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.
Reviews for Insecurity: Perils and Products of Theatres of the Real
Insecurity is well-conceived, articulately-written, and so thoroughly and completely realized in execution. It is a pleasure to read. - Moira Day, Department Head of Drama, University of Saskatchewan Lively and engaging, Jenn Stephenson has produced a compelling and timely interrogation of the 'real', ably and amply illustrated by a strong selection of case studies. This work is illuminating, the breadth and diversity of the performances under investigation alone make this book an important addition to scholarship on Canadian theatre and performance. Insecurity is an original contribution to the contested terrain of putting the 'real' on stage and in front of an audience. - Susan Bennett, Department of English, University of Calgary This book offers a compelling and timely investigation of the 'real', ably and amply illustrated by a diversity of case studies. A must-read addition to scholarship on Canadian theatre and performance. - Susan Bennett, Department of English, University of Calgary
