Cherry Ferris is a self-taught artist, fascinated with pigment, materials and all things sparkly. Particularly drawn to nature, animals and the detail of botanical artwork, Cherry is particularly potty about hares and owls, which appear in much of her artwork. Equally well-versed in pyrography, acrylics, pastels, watercolours and coloured pencils, Cherry enjoys combining and fusing these media within a piece of artwork to create something exciting and new. Her work has been shown in Wildwood Gallery on Dartmoor, the Derwent Pencil Museum at Keswick, The Wildlife Art Society International (TWASI), The South West Academy of Fine and Applied Art Open Exhibition (SWAc) and at OXO Tower, London with Explorers Against Extinction. She is also published in numerous national and international magazines and is a contributing artist to the Earth Pathways diaries and calendars. Cherry runs pyrography workshops for all levels, and enjoys creating innovative community projects that bring together people from all walks of life to create beautiful art. Cherry lives in Devon, UK. Email her at fairiewoodart@yahoo.com and visit her website www.fairiewoodart.com or Instagram @fairiewood_art
I would add this to my ever-lengthening list of 2022's innovations, but I'm pretty sure pyrography has been written about before, albeit more as a craft, maybe a curiosity, than as art. This is the first book to cross my desk, anyway. It's also worthy of note that this appears in Search Press's The Innovative Artist series, which betokens both a broad coverage and a move of the technique into something more mainstream. As you might expect, this is not a beginner's guide, nor should it be. I think we can accept that those exist and that this is as much a showcase for an experienced practitioner as it is a book of instruction. That said, there's plenty of technical analysis to get your teeth into here. Someone wanting to pursue this as art will find a great deal to occupy and challenge them and the results are simply stunning. The blurb announces that it's suitable for beginners too, but they always say that. Yes, Cherry does explain the fundamental techniques as well as what equipment you need and how to use it, but I think I'd start with something a lot more basic and with rather more simplified exercises. You aren't going to achieve the sort of detailed, coloured work that Cherry demonstrates without a very thorough grounding first and, without belittling the fundamental work done here, I don't think this is the book for it. This is basic techniques for the more experienced worker who mainly wants to make sure they're on the right track and learn from a master. Small rant over, this is an astonishing book that will open your eyes to work you probably didn't think possible. The detail and subtlety of shade and colouring that Cherry achieves is remarkable and looks more like painting or drawing. There's much to learn and this is a book you're going to want to spend a lot of time with - I'd go so far as to say that, if you price a book by the number of hours spend between its covers, this is definitely well below minimum wage. Will you ever manage to achieve the same results as Cherry? Well, it wouldn't be for want of trying, on your part or hers. -- Henry Malt * Artbookreview.net * This book can really only be described as a revelation. As the cover image shows, there's a great deal more you can do with Pyrography than simply burn designs onto plywood with a soldering iron. The images here contain as much fine detail as pencil work and Cherry introduces colour in ways that leave you astounded. Although this is an advanced book, there is a sound introduction to tools and techniques, with basic exercises to get you started. Further demonstrations will help you progress as far as you could possibly want. -- Henry Malt * The Artist, February 2023 *