Inflamed Invisible

Collected Writings on Art and Sound, 1976–2018

David Topp

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English

Goldsmith's Press
08 February 2022

Theory of art

In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience- the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory- stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art.

Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works.

Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible.

A rich collection of essays tracing the relationship between art and sound.

In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience- the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory- stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art.

Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works.

Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible.

By: David Topp
Imprint: Goldsmith's Press
Country of Publication: United Kingdom
Volume: 2
Dimensions: Height: 229mm, Width: 152mm,
Weight: 369g
ISBN: 9781913380625
ISBN 10: 1913380629
Pages: 302
Publication Date: 08 February 2022
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

David Toop is a musician, writer, and Professor of Audio Culture and Improvisation at the London College of Communication, University of the Arts London. He is the author of Ocean of Sound, Sinister Resonance, Into the Maelstrom, and other books.