This book explores the history of, and approaches to, documentary production within China from the Land Reform to the present day. It examines the institutionalisation of socialist realism during the PRC’s revolutionary era; considers the emergence of the fluid xianchang aesthetics and the creation of contingent subjectivities in relation to physicist Carlo Rovelli’s loop quantum gravity theory; explores two factory films through the angle of temporality; argues that time in the post-X era is multi-layered and can be experimented through a cinematic ruin aesthetics; and theorises ecological temporality in relation to Jean-Paul Sartre’s ontology on being as freedom and Caroline Godart’s analysis of difference.
By:
Muyun Liu Imprint: Palgrave Macmillan Country of Publication: Switzerland Edition: 2024 ed. Dimensions:
Height: 210mm,
Width: 148mm,
ISBN:9783031579073 ISBN 10: 3031579070 Series:East Asian Popular Culture Pages: 208 Publication Date:12 October 2024 Audience:
Professional and scholarly
,
Undergraduate
Format:Hardback Publisher's Status: Active
Muyun Liu, PhD, is admitted to the Supreme Court of Victoria, Australia. She is a lawyer based in Melbourne, and received her PhD from the University of Melbourne in 2018.