In the Eye of the Storm

Modernism in Ukraine, 1900–1930s

Konstantin Akinsha, Katia Denysova, Olena Kashuba-Volvach

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English

Thames & Hudson Ltd
25 January 2023

History of art & design styles: from c 1900 -

A major study of Ukrainian art from 1900 to the mid-1930s - with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel.

How does artistic life flourish during revolution and conflict? Ukraine in the early 1900s endured unimaginable political upheaval, yet this became a period of true renaissance in Ukrainian art, literature, theatre and cinema.

In the Eye of the Storm: Modernism in Ukraine, 1900-1930s presents the ground-breaking art produced in Ukraine in the early 20th century, focusing on the three key cultural centres of Kyiv, Kharkiv and Odesa. Against a complicated socio-political backdrop of collapsing empires, World War I, the revolutions of 1917 with the ensuing Ukrainian War of Independence, and the eventual creation of Soviet Ukraine, several strands of distinctly Ukrainian art emerged.

While émigrés such as Sonia Delaunay and Alexander Archipenko found fame outside their homeland, the followers of Mykhailo Boichuk focused on Byzantine revivalism, and the artists of the Kultur Lige sought to promote the development of contemporary Yiddish culture. The first avant-garde exhibitions in Ukraine featured the radical art of Davyd Burliuk and Alexandra Exter, and the dynamic canvases of the Kyiv-based Cubo-Futurist Oleksandr Bohomazov. In Kharkiv, Vasyl Yermilov championed the industrial art of Constructivism, while Vadym Meller, Anatol Petrytskyi, Oleksandr Khvostenko-Khvostov and Borys Kosarev revolutionized theatre design. The attempt to build a national identity in Ukraine resulted in a polyphony of styles and artistic developments across a full range of media - from oil paintings, sketches and sculpture to collages, cinema posters and theatre designs.

Twelve internationally renowned scholars, including curators from the National Art Museum of Ukraine, bring to life this astonishing period of creativity in Ukraine and all the movements it encompassed.

Edited by: Konstantin Akinsha, Katia Denysova, Olena Kashuba-Volvach
Imprint: Thames & Hudson Ltd
Country of Publication: United Kingdom
Dimensions: Height: 280mm, Width: 240mm,
Weight: 1.610kg
ISBN: 9780500297155
ISBN 10: 0500297150
Pages: 248
Publication Date: 25 January 2023
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Foreword Francesca Thyssen-Bornemisza Acknowledgments Introduction Konstantin Akinsha I. Kyiv From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter Katia Denysova The Beginning: The First Avant-Garde Exhibitions in Ukraine Olena Kashuba-Volvach The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918–1922) Hillel Kazovsky Oleksandr Bohomazov: The Ukrainian Version of Futurism Olena Kashuba-Volvach Boichukism Myroslava M. Mudrak Bauhaus on the Banks of the Dnipro Olena Kashuba-Volvach II: Kharkiv The Tragic Sensuality of the Kharkiv Avant-Garde Tetiana Zhmurko Constructor Vasyl Yermilov: A Captive of the Material World Konstantin Akinsha Visual and Spatial Experiments in Ukrainian Scenography of the 1920s Olena Kovalchuk Ivan Kavaleridze: Searching for the Hero of the New Age Oksana Barshynova Nova heneratsiia (1927–1930) Myroslava M. Mudrak III. Odesa The Odesa Society of Independent Artists Olha Barkovska From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s Ivan Kozlenko IV. Aftermath In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928 Olena Kashuba-Volvach & Maryna Drobotiuk The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné Katia Denysova From Oblivion to Glory: Spetsfond or The Special Secret Holding Yuliia Lytvynets Plates Authors’ Biographies Picture Credits Index

Konstantin Akinsha is an independent art historian, curator and journalist. He received the George Polk award for cultural reporting in 1991. Akinsha's curatorial projects include 'Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917' (Neue Galerie, New York, 2015), 'Permanent Revolution: Ukrainian Art Today' (Ludwig Museum, Budapest, 2018) and 'Between Fire and Fire: Ukrainian Art Now' (Semperdepot, Akademie der bildenden Künste, Vienna, 2019). He is the founding director of the Avant-Garde Art Research Project (UK) and the author of several books, including Beautiful Loot: The Soviet Plunder of Europe's Art Treasures (1995). Katia Denysova is a PhD candidate at the Courtauld Institute of Art, London. Her research investigates the influence of socio-political factors on early 20th-century art in Ukraine. She has contributed to the H-SHERA, ArtHist and Dash Arts podcast series, and the journals Arts, Art and the Public Sphere and immediations. Olena Kashuba-Volvach heads the Department of 19th and early 20th-Century Art at the National Art Museum of Ukraine (NAMU). She holds a PhD in art history from the Institute of Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine and was the senior research fellow at the National Academy of Arts of Ukraine. She is the author of numerous articles and has published several books, including Oleksandr Bohomazov: A Self-Portrait (2012), The Ukrainian Academy of Art: A Brief History (2015) and Art Pages of the New Generation, 1927-1930 (2016). In 2019-20, Kashuba-Volvach curated the multi-venue exhibition Oleksandr Bohomazov: The Artistic Laboratory.

Reviews for In the Eye of the Storm: Modernism in Ukraine, 1900–1930s

Generously illustrated... An introduction to an influential period and a diverse group of artists whose works continue to be uncovered, and whose history reverberates today.-- Library Journal