Iconoclasm in European Cinema

The Ethics and Aesthetics of Image Destruction

Chiara Quaranta

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Hardback

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English

Edinburgh University Press
10 October 2023

Film theory & criticism; Individual film directors, film-makers; Film movie guides & reviews

Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction offers the first comprehensive study of philosophical iconoclasm in cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds). Analysing the work of various filmmakers, the book considers iconoclastic gestures against the film image's ability to mimetically represent contents on the verge of the invisible and the ineffable. This book demonstrates that the overlooked issue of iconoclasm in film is essential for understanding contemporary attitudes towards images and argues that cinematic iconoclasm can encourage an ethics of (in)visibility by questioning the limits of our right to see and show something on a screen.

By: Chiara Quaranta
Imprint: Edinburgh University Press
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
ISBN: 9781474494458
ISBN 10: 1474494455
Pages: 256
Publication Date: 10 October 2023
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Chiara Quaranta is Teaching Fellow in Film Studies at the University of Edinburgh

Reviews for Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction

""Through detailed and engaging readings of select films by Bene, Bergman, Debord, Duras, Godard, Isou, Jarman, and Kie?lowski Chiara Quaranta demonstrates impressively how the destruction of the image within European cinema can be generative of an enabling ethics which foregrounds the importance of listening and imagining in the film experience."" -Sarah Cooper, King's College London