DIANNE REID IS A PERFORMER, CHOREOGRAPHER, camera operator, video editor and educator. She was a founding member of Outlet Dance in Adelaide (1987–89) and a member of Danceworks from 1990–95. From 2004-2006 she was Artistic Director of Dancehouse, and she was a lecturer in contemporary dance and dance video at Deakin University (1996–2018). Her site-specific solo work Cabin Fever won Adelaide Fringe weekly awards for Best Dance in 2019, 2020 and 2024. The documentary Nothing But Bones In The Way won the Best Dance Film award at the ReelHeART International Film and Screenplay Festival. Dianne studied creative writing in her Communication Studies degree, winning a Teesdale-Smith Award for playwriting. She has published a number of journal papers and book chapters relating to the performing arts and her practice as a dance artist and was a reviewer for Fringe Review UK. She completed a PhD in screendance and performance improvisation in 2016 which saw the publication of several journal articles in The International Journal of Screendance and Brolga. This is Dianne’s first book.
""A multi-faceted journey that takes grief for a walk, over landscapes literal and figurative, past and present, to depict a life bursting with artistic twists and turns. Poetry and prose is caught in the moment or evoked through memory in this moving account of a dancer’s life."" — Dr Philipa Rothfield—Professor, Dance and Philosophy of the Body, University of Southern Denmark; Senior Lecturer, Philosophy and Politics, La Trobe University. ""I live in the middle of the United States, so far away from Australia that it seems like another world. Yet, I have been aware of Dianne Reid’s work across multiple disciplines for as long as I can remember. Dianne’s tribe stretches beyond the boundaries of countries, language, practice and time. Similarly, the research topics that have animated her work run from Bachelard to Burlesque, to film and performance and in and out of the histories of modern and contemporary dance. Humming The Bones is an archive of a creative life fully lived. The writing is deeply honest, at times painfully so, and centers Dianne’s emotional and empathetic relationship with the universe and all the folks in it. The joy, the grief, the sacred and profane are all to be found in the thoughtfully wrought pages of this book. For Dianne, dance has indeed been, “an act of survival.” Humming The Bones allows us, the readers, to share in that journey in a lovely and poetic way."" — Douglas Rosenberg—Vilas Distinguished Achievement Professor, University of Wisconsin-Madison