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Hope in a Collapsing World

Youth, Theatre, and Listening as a Political Alternative

Kathleen Gallagher Andrew Kushnir

$145

Hardback

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English
University of Toronto Press
07 April 2022
For young people, the space of the drama classroom can be a space for deep learning as they struggle across difference to create something together with common purpose. Collaborating across institutions, theatres, and community spaces, the research in Hope in a Collapsing World mobilizes theatre to build its methodology and create new data with young people as they seek the language of performance to communicate their worries, fears, and dreams to a global network of researchers and a wider public.

A collaboration between a social scientist and a playwright and using both ethnographic study and playwriting, Hope in a Collapsing World represents a groundbreaking hybrid format of research text and original script – titled Towards Youth: A Play on Radical Hope – for reading, experimentation, and performance.

By:  
With:  
Imprint:   University of Toronto Press
Country of Publication:   Canada
Dimensions:   Height: 235mm,  Width: 155mm,  Spine: 29mm
Weight:   690g
ISBN:   9781487541194
ISBN 10:   1487541198
Pages:   424
Publication Date:  
Audience:   College/higher education ,  Professional and scholarly ,  Primary ,  Undergraduate
Format:   Hardback
Publisher's Status:   Out of Print
Dedication Figures and Tables Acknowledgements I Acknowledgements II Prologue Part I: Listening, Pedagogy, Theatre, and Cultural Citizenship Listening as an Artful Practice of Care Listening and Caring as Political Acts Creating Social Value from Theatre The System: Worlds Apart but Structurally Familiar The Settings: Brief Social, Political and Educational Portraits of Athens, Lucknow, Coventry, Tainan, Toronto Athens, Greece: Setting the Context Lucknow, India: Setting the Context Coventry, England: Setting the Context Tainan, Taiwan: Setting the Context Toronto, Canada: Setting the Context Ethnography and its Ecologies An Overview of Data Collection A Word about Ethnography The Qualitative Landscape: Care and Cultural Citizenship Daring to Dream in Greek Austerity Misfit Citizenship and Political Personhood in India: A Methodology of Critical Dialogue and Rehearsed Futurity Hope, Performance Pedagogies, and Democratic Citizenship Canley Youth Theatre’s Missive to the World—Listen A Pedagogy of Hope Tainan Students Making the World they Need The Self, the Collective: Theatre and Social Change Interdependency Against All Odds Voicing Toronto Stories for a more Equal World The Territory of Race, Racism, and Gender in Verbatim Theatre Creation Visible and Invisible Vulnerabilities in Oral History Storytelling Muckles’ Story of Hearing and Being Heard Youth Alienation from Mainstream Politics: Who is the Knowledgeable Citizen? Devising Theatre, Identity and the Search for Structure and Meaning Hope and Care in the Quantitative Landscape Key Quantitative Findings Across Sites ‘Outside the Mainstream’ and the Nature of Personal Hope and Experiences of Care Generating Hope through Self-Creation in the School, the Community, and in the Drama-Making Space Young People as Care-Givers Finding and Giving Care in Context To Conclude: Wrestling Towards Hope through Relationships of Care Epilogue: Acting in Concert Turning Towards Part II: Towards Youth Audience Research Part II: A Step Towards Youth By Andrew Kushnir Towards Youth: A Play on Radical Hope By Andrew Kushnir Appendix References Index

Kathleen Gallagher is a Fellow of the Royal Society of Canada, a Distinguished Professor in the department of Curriculum, Teaching and Learning, and Director of the Centre for Drama, Theatre and Performance Studies at the University of Toronto. Andrew Kushnir is an independent artist and artistic director of Project: Humanity

Reviews for Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative

"""An emotional and artistic feast, Gallagher's book is an outstanding account of five years of transnational theatre-based exploration. Hope in a Collapsing World thinks carefully alongside an artistic and research process to inspire us as theatre makers to listen more profoundly. I would recommend it to anyone seeking respectful ways of working with and learning from young people as they demand a more just future."" - James Thompson, Professor of Applied Theatre, University of Manchester ""In a time of so much despair, this book is a creative tour de force full of hopefulness. It represents some of the finest work and the most sophisticated art forms the field has seen. Hope in a Collapsing World is beautiful, breathtaking, moving, and thoughtful."" - Jo-Anne Dillabough, Professor, Sociology of Young People and Global Cultures and Sociology of Education, Faculty of Education, University of Cambridge ""This book is vital. At a moment when everyone needs to feel connected, Gallagher's empathetic and meticulous study of theatre with young people brings the hope we need. Witnessing playwright Andrew Kushnir and theatre educators reaching across the world is moving and beautiful. Listening to young people's stories - becoming attuned to their dreams and vulnerabilities - is not simply a moment of creative care, but a lasting political act."" - Helen Nicholson, Professor of Theatre and Performance, Royal Holloway, University of London ""This is a book that inspires as it educates. It charts ways in which listening can be made a truly democratic practice, one that calls forth connection, compassion, and care. Theatre provides an affective medium through which young people can speak to the world, and invite audiences to enter their acts of care. In activating care, they sustain hope. Hope is here revealed to be a collective process of turning towards the world with shared responsibility for its precarious future."" - Helen Cahill, Emeritus Professor, Graduate School of Education, The University of Melbourne, Australia"


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