Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanology from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. In 2024, he was awarded the commendation of the Japanese Ministry of Foreign Affairs for his contributions to the promotion of Japanese culture.
The most thoroughly researched monograph on Hokusai ever to be published. * Sky Arte * A magnificent book from TASCHEN brings together a huge part of his work. The goal of the editor, Andreas Marks, to question the common image of Hokusai and to replace it with a more differentiated one, is visible on every page of this tremendous monograph. * Frankfurter Allgemeine Zeitung * A monumental monograph. * RTBF La Première * This voluminous book is arguably the most comprehensive study of Hokusai's work to date. It packs an impressive volume of works from the deep well of the Japanese artist and printmaker's long career, far beyond his omnipresent depictions of Mount Fuji. * Hyperallergic * [A] sumptuous, beautifully produced art book unfolds Hokusai's 19th-century Edo, the floating world where everything - mountains, moons and masked actors, courtesans, crustaceans, cherry blossom - is stylised into patterns of line and colour, yet flutters off the page, restless and vital. * Financial Times * At 100 years I will have achieved a divine state in my art, and at 110, every dot and every stroke will be as though alive. Those of you who live long enough, bear witness that these words of mine are not false. * Hokusai *