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Henry van de Velde: Designing Modernism

Katherine M. Kuenzli

$105.00

Hardback

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Yale University Press
01 August 2019
Art & Architecture; History of art & design styles: from c 1900 -; Individual artists, art monographs; Individual architects & architectural firms
The painter, designer, and architect Henry van de Velde (1863-1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands.

Van de Velde's designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century's most influential artists and an essential voice within the modern movement.
By:   Katherine M. Kuenzli
Imprint:   Yale University Press
Country of Publication:   United States
Dimensions:   Height: 279mm,  Width: 216mm, 
ISBN:   9780300226669
ISBN 10:   0300226667
Pages:   240
Publication Date:   01 August 2019
Audience:   General/trade ,  Professional and scholarly ,  ELT Advanced ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Katherine M. Kuenzli is professor of art history at Wesleyan University.

Reviews for Henry van de Velde: Designing Modernism

Katherine Kuenzli offers an original portrait of van de Velde-his personality, ideals, and work-through exemplary research and superb illustrations. -Harry Mallgrave, Illinois Institute of Technology Kuenzli fills a major gap ambitiously and successfully, and she convincingly shows how existing narratives need to be revised as a result. - Frederic J. Schwartz, University College London


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