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Henri Cartier-Bresson

Paris Revisited

Anne de Mondenard Agnes Sire



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Thames & Hudson
15 October 2021
Henri Cartier-Bresson was 'the eye of the 20th century' and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life (1908-2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation.

Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugene Atget (1857-1927), and the clear visual links with Surrealism that infused Cartier-Bresson's early pictures. After an apprenticeship with Cubist painter Andre Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Ever-attentive to different ways of portraying the city around him, Cartier-Bresson returned to drawing during the last two decades of his life.

This collection is not only a superb portrait of Paris in the 20th century, it is testament to Cartier-Bresson's skill as a supreme observer of human life.

With 200 illustrations
Edited by:   ,
Imprint:   Thames & Hudson
Country of Publication:   United Kingdom
Dimensions:   Height: 290mm,  Width: 240mm, 
Weight:   1.520kg
ISBN:   9780500545423
ISBN 10:   0500545421
Pages:   256
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
1. 1929-1934: The Beginnings * 2. 1935-1939: The Time of Work Engagement * 1944: The Liberation of Paris * 1944-1994: 20th-Century People * 1951-1966: A Surveyor of life * May 1968 * 1968-1985: After Magnum * 1974-1994: A Return to Drawing

Anne de Mondenard is a photography historian and curator at the Musee Carnavalet. Agnes Sire has been the director of the Fondation Henri Cartier-Bresson in Paris since its creation in 2003. Peter Galassi is a scholar and curator whose principal fields are photography and 19th-century French art. He was Chief Curator of Photography at The Museum of Modern Art from 1991 to 2011.

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