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Hemispheric Integration

Materiality, Mobility, and the Making of Latin American Art

Niko Vicario

$82.95

Hardback

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English
University of California Press
07 April 2020
Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.

 
By:  
Imprint:   University of California Press
Country of Publication:   United States
Volume:   3
Dimensions:   Height: 229mm,  Width: 178mm,  Spine: 28mm
Weight:   1.089kg
ISBN:   9780520310025
ISBN 10:   0520310020
Series:   Studies on Latin American Art and Latinx Art
Pages:   312
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
ACKNOWLEDGMENTS Introduction 1. “The Revolutionary Medium”: Siqueiros’s Duco Muralism 2. Morphological Constructivism: Torres-García’s “New Art of America” 3. OIAA/MoMA: The Rockefeller Nexus of Latin American Art 4. Local Color: Carreño’s Art of “Interpenetration” Conclusion NOTES SELECTED BIBLIOGRAPHY LIST OF ILLUSTRATIONS INDEX

Niko Vicario is Assistant Professor of Art and the History of Art at Amherst College.

Reviews for Hemispheric Integration: Materiality, Mobility, and the Making of Latin American Art

Joining a growing body of transnational studies (i.e., books by Lori Cole, Maria Amalia Garcia, Michele Greet, Olga Herrera, Anna Indych-Lopez, and Harper Montgomery), Vicario intervenes with an original and rigorous approach that puts into practice a social history of art embedded in the matter of art and in the dynamics of industry and trade. * CAA Reviews * An excellent study of the complex sociocultural, economic, and political background from which Latin American art emerged as a field of study. Vicario makes a lucid and compelling argument. * Hispania *


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