Focusing on Heidegger's 'metapolitical' texts from the 1930s, Trawny exposes the good, the bad, and the ugly of Heidegger's middle period, and especially his tortured efforts to conjugate 'the end of metaphysics' with his commitment to Hitler and Nazism. Trawny emphasizes what still remains valuable in Heidegger's reflections on art, language, Ereignis, and poetry, even as he ruthlessly dissects the supinely stupid 'metaphysical anti-Semitism' of Heidegger's Black Notebooks. Thomas Sheehan, Stanford University