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English
Yale University Press
26 April 2026
The first comprehensive survey in 40 years brings new scholarly attention and a feminist perspective to the Welsh painter with a singular vision of female interior life

Gwen John (1876–1939), best known for her portraits of women depicted in close tonal registers, was overshadowed during her life by her relationships with men, including her brother, the painter Augustus John, and lover, the French sculptor Auguste Rodin. In recent years, leading art historians and curators have shed new light on John's significant contributions to British art, her connection to European modernism, and her serial process. Gwen John: Strange Beauties builds on this groundwork, bringing together the artist's distinctive oil paintings with rarely seen works on paper to illuminate the underexamined scope of her ambition, revealing lesser-known aspects of her practice—a vibrant use of color, plein air sketching, and an interplay between figuration and abstraction.

Distributed for the Yale Center for British Art, in association with Amgueddfa Cymru–National Museum Wales.

Exhibition Schedule:

Amgueddfa Cymru–National Museum Wales, Cardiff

(February 7–June 28, 2026)

National Galleries Scotland, Edinburgh

(August 1, 2026–January 4, 2027)

Yale Center for British Art

(February 18–June 20, 2027)

National Museum of Women in the Arts, Washington, DC

(July 30–November 28, 2027)
Contributions by:   , ,
Edited by:   ,
Imprint:   Yale University Press
Country of Publication:   United States
Dimensions:   Height: 267mm,  Width: 222mm, 
ISBN:   9780300286571
ISBN 10:   0300286570
Pages:   272
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Rachel Stratton is an independent scholar and curator and a former postdoctoral research associate at the Yale Center for British Art.. Lucy Wood is senior curator of art at Amgueddfa Cymru–National Museum Wales, Cardiff.

Reviews for Gwen John: Strange Beauties

“Although John was not short of self-confidence, she was no self-promoter. ‘I cannot imagine why my vision will have some value in the world,’ she wrote to a friend, ‘and yet I know it will.’ This handsome book shows why she was right.”—Michael Prodger, Country Life


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